Over the years, The Chronicles of Narnia by C. S. Lewis, The Lord of the Rings by J. R. R. Tolkien, and Harry Potter by J. K. Rowling have been among the leading contenders for the most respected fantasy series ever. Each series of books has its own value and is worth reading. I personally prefer Narnia over the other two, however.
Some years ago, I read The Hobbit by J. R. R. Tolkien. While I enjoyed this work, I have come to appreciate it more over time. When I read The Lord of the Rings by J. R. R. Tolkien, I immediately came to see it as superior to The Hobbit. I have loved Tolkien's stories of Middle-Earth since I was young, and The Lord of the Rings left an impression on me not only for its epic story of Frodo and Sam but also for its beautiful literary status. The Lord of the Rings may very well be the best-written work of the twentieth century, and for that reason alone, it is a true classic of English literature.
Lately, I've been reading J. K. Rowling's Harry Potter series, and I have enjoyed each of the books. The Philosopher's Stone and The Prisoner of Azkaban are among my favorite works of the series. Rowling has a charm to her writing style, and her popularity among fans resonates strongly because of her remarkable talent as a writer. The Harry Potter series is arguably one of the best-written series in the twenty-first century. Rowling's stories have had a significant influence on modern culture, and the large fandom of the books comes as no surprise given each novel's well-written status.
Why Narnia, then? Why do I prefer C. S. Lewis's series over Harry Potter or Lord of the Rings? I have three points to argue in favor of The Chronicles of Narnia being superior to the other two literary works. Below, I have written an essay on this topic:
Introduction:
C. S. Lewis was both a great philosopher and a literary genius. His Christian views informed him about everything he did, and he wove his knowledge of scripture into his writings. His ability to transform both theology and good story-telling into literature reflected a rare genius on his part. Additionally, Lewis's knowledge of both philosophy and medieval literature allowed him to write not only books about past literature but also to write new literature of his own. When he wrote The Chronicles of Narnia, he was not writing it simply as a good novelist, but also as a brilliant literary scholar. In my view, by the writing of these books, C. S. Lewis achieved a higher level of success in the literary tradition than either J. R. R. Tolkien or J. K. Rowling. The superiority of The Chronicles of Narnia over both Harry Potter and The Lord of the Rings is attributed to its theological elements, its roots in Medieval literature, and its enchanting storytelling.
Part 1: The Theological Implications of The Chronicles of Narnia
The Chronicles of Narnia by C. S. Lewis was influenced by the author's Christian faith. In the first published novel, Edmund takes from the Turkish delight given to him by the White Witch (Chapter IV). Despite the fact that Edmund knew better, his pride guided him against his family. In fact, he was hardly innocent as the White Witch tempted him. He wanted to hear the flattery that she gave him.
In the same way, many of us often desire the wants of this life that are not good for us. From sin, we find more pleasure in what we want at the moment than what will keep us satisfied long-term. Edmund's fall resembles the fall of Adam and Eve in Genesis 3. Like them, he took of something that seemed pleasurable at the moment---but which brought on detrimental effects for everyone else.
Perhaps the closest value to Christianity in the Narnia books is the sacrifice of Aslan. The great lion gives his life in Edmund's place (Chapter XIV) so that Edmund won't have to be killed by the witch. While nothing in literature can truly parallel the work that Jesus Christ did, The Lion, the Witch, and the Wardrobe do as good as a children's book can do for this. Throughout the whole novel, Aslan is portrayed as a great and just lion---tributes which adds to the sadness that we all feel when he gives his life on the stone table. As we read the book, we feel moved by Lucy and Susan's tears that the great lion has fallen and we are (hopefully) reminded of the dismay that the disciples felt when Christ passed from them. Near the end of The Voyage of the Dawn Treader, Reepicheep leaves us in awe of Aslan's country. Though the brave mouse loved his friends, he ultimately desired to be with Aslan.
The Chronicles of Narnia has as much or more to teach adults about the values of Christianity as they do for children. Perhaps if we read them frequently, we would learn to come to Christ as children (Matthew 18: 3) just as many of the children came before Aslan throughout the series. Obedience does not necessarily require great knowledge, but it means us trusting in God even when we don't understand everything about His will and our purpose. Likewise, Jill Pole did not realize her purpose when Aslan gave her a task (Chapter II of The Silver Chair) yet she did as he said. Perhaps if we spent less time questioning why God wants us to do certain things and instead actually do them, we would waste a lot less time.
Part II: The Roots of Medieval literature in The Chronicles of Narnia
Many readers who love C. S. Lewis and his writings are unaware of the impact that Medieval literature had on his stories. While Medievalism also greatly influenced Tolkien, I have always seen Narnia as more resembling the world of the High and Late Middle Ages whereas I have seen Middle-Earth as greatly drawn from the Anglo-Saxon world of the Middle Ages. When it comes to history, Tolkien and Lewis's works easily surpass Rowling's. Though the Harry Potter series is entertaining to read, they lack the imagination of a fantasy world akin to the legends of King Arthur and Merlin which both Narnia and Middle-Earth give.
To me, The Horse and His Boy closely resemble aspects of crusading legends from the Medieval era. As the Calormans attempt to take Queen Susan and force her into a marriage with their prince, I sense that Lewis was familiar with the crusades, and not just their history, but the accounts that some of them left for us to read of their expeditions. As an interesting note, the crusades are actually mentioned near the beginning of Prince Caspian.
In The Lion, the Witch, and the Wardrobe, C. S. Lewis tells us a story about Aslan's death that may resemble the atonement of Christ for many Christians. Interestingly enough, Lewis was hardly ignorant of the doctrine of the incarnation. Having written a preface to Athanasius's On the Incarnation, he knew well that this doctrine was central to Medieval theology. Although Aslan does not transform his body into another form (except in Voyage of the Dawn Treader) the idea of an incarnation is still somewhat within the first published book. For example, Aslan (like Christ) did not simply reign from high heaven and look down on Narnia. The great lion walked among the sons of Adam and the daughters of Eve. Aslan knew Peter, Susan, Edmund, and Lucy just as Christ knows the children of God (Galatians 3: 26).
Finally, the ideas of chivalry and romance are found throughout the Narnia books. As an illustration, Peter saves his sister, Susan, from a great wolf in The Lion, the Witch, and the Wardrobe (Chapter XII). Likewise, Ramandue's daughter and King Caspian together reflect a traditional romance in The Voyage of the Dawn Treader (Chapter XIV) similar to one that a reader would find in Medieval literature.
The Medieval feel of the Narnia books is nothing the avid Lewis fan should miss. When one studies the Narnia books next to the works of the Middle Ages, it would be difficult to be blind to all the similarities between them. As a result, Lewis left us with stories with strong allegory and solid theology just as Chaucer and Malory did for their respective eras.
Part III: The enchanting storytelling of The Chronicles of Narnia
There is a reason beyond theology and its shared qualities with other past works of literature that the Narnia books are so loved. Many of us simply read C. S. Lewis simply because his stories are magical to us. Like Lucy in the wardrobe, we are enchanted by the thought of going into another world. Additionally, we long to have someone near us who we can laugh with and cry with just like Lucy does with Aslan.
In the second chapter of The Lion, the Witch, and the Wardrobe, Lewis leaves us wondering what the Faun's intent really is. Is he truly sorry that he has worked for the White Witch? Or is it that Mr. Tumnus only speaks regretfully in front of Lucy so as to trick her into returning to his home? Examples like these, are what keep us on the edge as we read good stories. Lewis knew how to keep the reader intrigued enough not to just mark the page and never finish the book. Again and again, the author of Narnia keeps us longing for more of shadowlands.
Conclusion:
While The Lord of the Rings is a better literary work than The Chronicles of Narnia, in many ways, I prefer the latter. The Narnia books may not have the language of Tolkien or Milton, yet they make great reads and leave us with a joyful feeling. Likewise, The Chronicles of Narnia is so enriched with Christian themes that essentially nothing save Confessions by Saint Augustine of Hippo, The Pilgrim's Progress by John Bunyan, and Everyman be possibly more Christian literary than it.
Personally, I would cautious Christians about the Harry Potter series for reasons that are not mentioned in this article. Narnia and Middle-Earth are great Christian fantasies for all who hold to the Christian faith.
There is much that all of us can enjoy about The Chronicles of Narnia. I love these books just as I always have. As I have written this, it has given me the desire to read these classics again.